![]() ![]() Director Lydia Steier has created a magical fantasy world that is chiefly marked by the colourful, opulent costumes that gained Gianluca Falaschi the title of “Costume Designer of the Year” from the magazine Opernwelt. The yearning for faithful love and for the exotic otherness are themes in Haendel’s Alcina that have remained topical over the centuries. ![]() Haendel’s work premiered in London in 1735 and it has some of the most beautiful and touching Baroque arias, rendering every character sensually tangible: Rage, joy, tenderness, even perplexity and hope alternate to great effect. Ruggiero is the first lover for whom she takes a risk – and she loses. But even her aloofness hides a sense of melancholy: As soon as Alcina truly falls in love for the first time, her magical powers dwindle. The love scene in which the two engage was a magnificent, sensual ballet. Her expressions were priceless, and her dialogues with Ruggiero were laden with sexuality. She switched quickly and convincingly between issuing threats one moment and coos of love the next. ![]() Soon, two worlds are in conflict: Bradamante’s down-to-earth, grey one and the other one, the exotically erotic world of sensual delights that Alcina represents. Alcina, played by soprano Merav Eldan, was charmingly evil. Alcina has captured the heart of the knight Ruggiero – and his true love Bradamante is looking for him now. Haendel’s magical opera about the unhappy sorceress Alcina, who transforms men and has set up her island as a mausoleum of discarded lovers, comes to Hanover in a celebrated production from Theater Basel, directed by Lydia Steier. A story about the lure of the foreign – and a firework of melodies. ![]()
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